Why We’re Still Struggling to Make Sense of Modernism

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«Beckett wrote “unenjoyable” books, says Martin Amis. Paulo Coelho believes Joyce’s Ulysses caused “great harm,” while Roddy Doyle doubts any readers are “really moved by it.” “Shabby chic” is the Financial Times’ verdict on modernist architecture. You hear it often these days, this grousing about difficult, pretentious modernism: Woolf, Kafka, Stein, and Picasso come in for it too. The emperor has no clothes. The flight from modernism—we know the names but skirt the works—may be a sign of the cultural times, a symptom of our special mix of fatigue, cynicism, and complacency. And then, of course, the art can indeed try your patience and stamina. Its demands are relentless; these are creations that decline to traffic in reassurance or open themselves to clicks and scans.»

http://www.theatlantic.com/magazine/archive/2013/10/the-shock-of-the-new/309451/

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